I’ve always had a fascination with horses. I admire their power, their beauty, and their role in furthering men’s dreams and goals through the ages. I’ve had the pleasure of knowing a sweet tempered Appaloosa named Ember, a nervous and high spirited saddlebred named Rebel and an independent, strong-willed Arabian called Sultan. My feelings for these three unique animals plus my broader respect for the overall majesty and heritage of horses motivated the following piece called “Free to be Wild.” Enjoy.
Hoof beats rumble
across the ground. Coyote and jackrabbit run from the sound.
A stallion gallops with his alpha mare. His band of wild horses swirl dust in the air.
Bodies all powerful, lathered and wet, taut muscles glisten beneath their sweat.
Flashing eyes, a flow of mane, strong hooves pummel the grassy plain.
No slave to lasso, saddle or brand, unbridled, untethered, the land they command.
This herd lives, survives in its kingdom, to revel in life, to celebrate freedom.
by Carol S. Mann 2020
Racing from the Dark by Watercolorist Lynn Centeno
If you enjoy horses or history or have concern about preserving the beings of the planet, you may find this book of interest:
February 15, 2020, was the Desert Writers Expo hosted by the Palm Springs Writers Guild and the Rancho Mirage Library and Observatory located in Rancho Mirage, California. Forty writers came together to offer their current books for sale to the public. It was a busy and full day.
This is the “booth” featuring All Ways A Woman and a line of greeting cards with images and poems from the book. Artist Lynn Centeno and I collaborated on the project.
My table mate DeAnn Lubell, author of The Last Moon, and I each had a good day and a good time surrounded by people and friends who love books.
All Ways A Woman is designed to celebrate and honor women and makes an excellent gift or keepsake for the special women in a person’s life. Depicted are the major and memorable milestones in a woman’s life journey. Great for Mother’s Day! Available at Amazon.com
In a recent post called “Nurse Ratchet Goes to School,” I wrote about caregiving and going to caregivers’ school, all in an effort to give the best care possible to my husband Tony who will celebrate his 97th birthday on October 10. In addition, I learned about the importance of self-care.
Happily, a health care team has been assembled. Daily, they make Tony comfortable and give me the confidence to be the caregiver I want to be plus allowing for some me-time. They are not present 24 hours a day. After they leave is when I come “on duty.”
Oh, oh. Here comes Nurse Ratchet
Sometimes as a caregiver, your perception can get a little off, your patience can be a little skewed, and/or the moment can just go to hell in a hand-basket. Bad days happen to everyone – the care receiver and the caregiver. When you’re elderly, ill, and/or in pain, those bad days can become more intense. Somewhere I read the following two sentences about giving care that I try to keep in the forefront of my thoughts: He’s not giving you a hard time. He’s having a hard time.
Adding to that perspective is a poem I found through one of the “likes” I received on the Ratchet post. I hadn’t seen the piece before. It’s called “Cranky Old Man.” It was posted by the author of the blog deardollie.com.
Dollie is a professional caregiver. Do check out her blog for tips and inspiration. For obvious reasons, her choice of poem spoke to me.
Cranky Old Man
What do you see, nurses? . . . what do you see? What are you thinking . . . when you’re looking at me? A cranky old man . . . not very wise, Uncertain of habit . . . with faraway eyes? Who dribbles his food . . . and makes no reply. When you say in a loud voice . . . “I do wish you’d try!”
Who seems not to notice . . . the things that you do. And forever is losing . . . a sock or shoe? Who, resisting or not . . . lets you do as you will, With bathing and feeding . . . .the long day to fill? Is that what you’re thinking? . . . is that what you see? Then open your eyes, nurse . . . you’re not looking at me.
I’ll tell you who I am . . . as I sit here so still, As I do at your bidding . . . as I eat at your will. I’m a small child of ten . . . with a father and mother, Brothers and sisters . . . who love one another A young boy of sixteen . . . with wings on his feet Dreaming that soon now . . . a lover he’ll meet.
A groom soon at twenty . . . my heart gives a leap Remembering the vows . . . that I promised to keep. At twenty-five now . . . I have young of my own. Who need me to guide . . . and a secure happy home. A man of thirty . . . my young now grown fast, Bound to each other . . . with ties that should last.
At forty, my young sons . . . have grown and are gone, But my woman is beside me . . . to see I don’t mourn. At fifty, once more, . . . babies play ’round my knee, Again, we know children . . . my loved one and me. Dark days are upon me . . . my wife is now dead. I look at the future . . . I shudder with dread.
For my young are all rearing . . . young of their own. And I think of the years . . . and the love that I’ve known. I’m now an old man . . . and nature is cruel. It’s jest to make old age . . . look like a fool. The body, it crumbles . . . grace and vigor, depart. There is now a stone . . . where I once had a heart.
But inside this old carcass . . . A young man still dwells, And now and again . . . my battered heart swells I remember the joys . . . I remember the pain. And I’m loving and living . . . life over again. I think of the years, all too few . . . gone too fast. And accept the stark fact . . . that nothing can last.
So open your eyes, people . . . open and see. Not a cranky old man. Look closer . . . see . . . ME.
(Originally ‘Crabbit Old Woman’ by Phyllis McCormack (1966); adapted by Dave Griffith)
I want to remember that Tony’s hospital bed and the room it is in have become his world. I want the situation free from anxiety or stress as much as possible. For both Tony and me. I want patience. I want to be calm. I want strength to deal with whatever is happening with his care and condition. I want to handle the worry that comes with the territory. I want to cope successfully with the “off” days, knowing some days will just simply misfire. The wisdom of the italicized sentences and poem help keep me focused on the person, not the tasks, on my husband, not the affliction.
Always ready to have a little fun. (Pictures of Tony are just prior to his becoming bedbound, but the smile and sense of humor are the same.)
A recent birthday card introduced me to an old art form. It’s called quilling. When I first looked at the card, I thought its design was simply raised. On closer inspection, I found the design was three dimensional and composed of small, coiled strips of paper. The intricacy of the work is evident.
The quilling on my card
I became curious about this decorative art form. Below is some information I found about the history of quilling – from mymodernmet.com :
Like many forms of craft, paper quilling can trace its origins back hundreds of years to at least the 15th century (maybe earlier). It is believed to have been created by French and Italian nuns and used to decorate religious objects in an effort to save money. The filigree was fashioned to simulate carved ivory and wrought iron—two very costly details. When the paper quilling was gilded, it was hard to distinguish from metal, making it a good option for struggling churches.
Paper quilling had its heyday in England during the 18th century. It, in addition to embroidery, was considered a “proper pastime” for young women and was taught in boarding schools, as well as to “ladies of leisure” because it was seen as not too “taxing” for them. Quilling’s influence spread to the United States, but the practice waned by the 19th century; there are relatively few examples of paper quilling during this time.
A closer look at my card, crafted in Vietnam
Quilling earned its name because to coil the paper, it was cut into thin strips and wrapped around an actual quill. Then it could be shaped and glued. The technique is also called filigree, paper filigree or scrollwork. Today there are quilling kits and specialized tools.
Old basket or box with a filigree look (courtesy of quilling-guild.weebly.com)
On the literary side of things, Jane Austen made use of quilling as “stage” business while two characters chatted and the conversation moved the story forward. In Chapter 23 of Sense and Sensibility:
“Lucy directly drew her work table near her and reseated herself with an alacrity and cheerfulness which seemed to infer that she could taste no greater delight than in making a filigree basket for a spoilt child.”
The above is one reference. There are more within the chapter.
An old filigree box (courtesy of quilling-guild.weebly.com)
An example of modern quilling (courtesy of ytcg.org)
I don’t think that I personally will ever try this art form. I have visions of coiled paper stuck to all of my fingers. But I am intrigued and can certainly appreciate the creativity and skill needed to produce the work.
And thank you to my friend for the birthday card that brought about this short exploration!
Do you remember the Beanie Baby craze of the early 1990s? These popular little toy animals had names like Chocolate the Moose, Squealer the Pig, and Patti the Platypus. They were stuffed loosely with plastic pellets (“beans”), making them small, malleable little critters. They were inexpensive at the time but over the passage of years, some of these beanie babies have become quite valuable.
Nanook the Husky, courtesy of Amazon.com
I met my first and only beanie baby on the campus of Northern Illinois University in the late 1990s. Her name was Nanook the Husky. It was an appropriate meeting place since the Husky is the university’s mascot. Nanook peeked at me from her place on top of the computer screen that belonged to our friend’s secretary. I admired the little blighter and the next thing I knew, she was mine. A gift.
I brought Nanook home from Illinois and, mimic that I am, placed her atop my computer screen to watch over me and “inspire” my work. Kind of a muse infusion, if you will. When I was writing and, if I hit a snag, I’d look at Nanook, with the hope the little Husky had something for me. Perhaps a memory jog, a light of inspiration, a kindly shoulder to cry on. I know, I know, a bit silly. Actually, those little dalliances of the brain usually bought me “think time” to find my way out of the snag. And so the little creature took up residency, looming over my computer screen in our home office for many years.
“Hangin’ out” over the computer screen
Then in June, my husband became bed-bound. His health team brought in a hospital bed for his comfort. I filled the bedroom with memorabilia, surrounding him with things he liked. It’s good for people with dementia to see their legacy and memories. As of today, on the door to the room hang three pennants: the New York Yankees, Northern Illinois University (BS), Oklahoma State (MS). On the wall are four pictures from his school and Marine days. Family pictures and those of friends sit on top of a chest. Near the TV sits a baseball trophy and two special baseball style caps he always liked to wear. You get the idea. One day I added Nanook.
On a whim, I took the Husky from her place on top of my computer screen into the bedroom and placed her on Tony’s knee as he slept. He woke to find the blue-eyed, faithful dog looking at him. Nanook became a resident of the hospital bed, a silent buddy, draped over the pillow, on the dinner tray, on Tony’s shoulder. All in good fun. Happy ending, except I’d lost my little good luck talisman.
Since then I’ve replaced Nanook with a heart and a blue “stone.” They’re not as cute as she is, but they give me something to stare at, to talk or yell at. And they buy me “think time” as I’m writing. They don’t sit atop the computer screen but under it. I occasionally pick them up, hold them, rub them, toss them from hand to hand.
Replacements for Nanook
In the greater Beanie Baby world, Nanook has not increased in financial value like Valentino the Bear or Claude the Crab, but she has become invaluable as a “feel-good” talisman for a bed-bound 97-year-old. It’s a happy ending for a little Husky who journeyed from Illinois, proceeded to my California writer’s office and, ultimately, settled into the bedside comfort of a nonagenarian.
I haven’t blogged since May 13, 2019. In fact, my writing actually came to a standstill in early March. The reason? My husband’s health began to decline and he entered in-home hospice care in May. He’s almost 97, a WWII vet (the Marines), a former athlete, a retired college professor and teacher, and all-around good guy. Age is his nemesis. Regardless of the effects of time and advancing years on his mind and body, he’s maintaining his sense of humor and enjoys people. His name is Tony. And I love him.
I dubbed myself a bumbling but well-intended Nurse Ratchet (Remember the film One Flew Over the Cuckoo’s Nest?) and quickly realized I was in over my head on how to care for Tony at home. My care techniques often were less than smooth or subtle. My learning curve occurred as I began to watch the professionals do their thing – from the nurse to the in-home health aid to the physical therapist to his private caregiver.
Outside the Montreal Museum of Fine Arts 2006 (thedragonsonfire.com)
Our lives changed quickly after the arrival of hospice care. Tony’s legs gave out, making him no longer ambulatory. A hospital bed arrived. We’d made the decision to age in our home for as long as possible as opposed to going into a progressive living facility.
Hospice has proven to be invaluable. It provides many in-home services; however, Tony’s health care team is not on-site daily and when they’re here, they’re present only for as long as it takes them to complete the tasks in their skill sets. I began to feel overwhelmed and weighed down by the great responsibility, the guilt (Was I doing enough?), and anxiety. I knew I needed help.
Tony with his Health Care Professional
I experienced several problems as the intensity of Tony’s new bed-bound status and the caregiving process began to settle in. I found I couldn’t concentrate on tasks of any depth. I couldn’t read a book. I couldn’t write. I had trouble sleeping. Stress and anxiety had entered my world. Depression had accompanied it. I didn’t realize how these feelings were slipping in and affecting me in my conscious and subconscious thoughts. But I felt a pull on my well-being.
One afternoon while reading The Gem, a local publication, I saw a class advertised for family caregivers. It was being held at the local wellness center nearby. I called, was able to enroll, and entered the twelve-week session. One of the best moves ever. I didn’t realize how strung-out I had become and how I felt like I was walking on my knees.
At the first class, I found myself in a room with seven other family caregivers. Some were caring for ailing husbands, others were caring for aging parents. Their stories and challenges proved as different as the constellations. The great weight of my feelings of isolation and intense responsibility lessened.
The first part of each class was instruction. Here are some of the topics:
Recognizing and Managing Stress
Legal and Financial Issues Related to Caregiving
Learning from Our Emotions
Grieving – A Natural Reaction to Loss
Living with Dementia
Taking Charge of Your Health
Asking for Help
The second half of the class began with the facilitator asking the simple question, “How was your week?” Obviously, this was the signal to begin sharing. As a caregiver, you learn you are not alone. I found inspiration from hearing the stories of others.
A big message of the class was to recognize that as a caregiver and manager, you must also take care of yourself or you will end up being of no use to your loved one or yourself. Part of self-care is knowing you need help. I have been fortunate to find a private health care professional to assist with Tony’s care. I have learned to block time for myself. It took a while to find the rhythm and structure for our particular situation.
We are fortunate to have friends and family who stop in to visit. Our master bedroom has become our living room. This is where we sit and visit, snack, eat, laugh, watch TV, and share stories. Tony enjoys his visitors and the laughter and caring they bring.
I felt a loss when the class ended. We’d bonded with each other, cheered each other’s progress and victories, lamented each other’s sadnesses and heartbreaks. I am grateful to the Riverside County Office on Aging for providing this valuable resource. A special thank you goes to our facilitator Guillermo Delgado, Program Specialist II of the Family Caregiver Support Program, for guiding us through our class and sharing sessions with skill, patience and kindness.
Caregiving is a two-pronged challenge – caring for your loved one and taking care of yourself to enable you to do your best. Yes, we got this!
I recently was involved co-creating the book All Ways A Woman. It came about through collaboration between a writer (me) and an artist friend. From that experience, I thought more about the collaborative process and realized as writers we may work with another creative in a variety of situations.
First is collaborating on the writing of a book. In my situation, I was the writer and my associate the artist. We each had our own areas and brought them together. However, I have never done a collaborative effort with another writer, but know writers who, for example, have successfully alternated writing the chapters of a work of fiction.
Other collaborating a writer can do is with, say, a cover designer, an illustrator, or an editor. Collaborative skill is important for a writer to have.
Here is what I learned about collaborating from working on a book with a co-creator:
Come prepared to your scheduled meetings.
Respect each other’s work and ideas. Couch your words diplomatically. If you are in a critique group, you know what I mean.
Don’t compete with each other. This isn’t a race to see who gets there first. I only compete with myself.
Respect each other’s process. People have different ways of arriving at a mutually agreed upon result. Keep the goal in mental view and let each work toward it.
Negotiate/discuss when visions differ.
Listen. Be non-judgmental and brainstorm.
Stay focused but be flexible. Discoveries may be made. Plans can change.
Recognize that during the creative process, stress and tensions may develop. Review numbers three and five.
Artwork by Jean Metzinger
As I thought more about the process, I took another look at the above list and applied that collaborative effort to working with your biggest collaborator of all – yourself. The list still applies.
Come prepared for meetings. In other words, show up at your writing place ready to write. Author Dennis Lehane says he gets up, grabs a cup of coffee, goes in his office and goes to work. I talked with an author who keeps a scarf on her chair and sometimes has to symbolically tie herself in. Whatever works.
Meet commitments you make to yourself. If your goal is to write 500 words that session, meet your goal. If you plan to submit a story to five different literary magazines, do it.
Respect your work and ideas. We’ve all heard of the nasty self-critic who sits on your shoulder who is an ornery type with a bad attitude. Well, with a small mental switch, a small adjustment of thinking, brush him off and bring on the collaborator who instead of berating your writing, helps you explore and experiment and persevere. Mine kind of lounges there on my shoulder, smoking, like Noel Coward.
Don’t compete with another author. Play your own game.
Respect and observe your own process. Do you write better at night or in the morning? Do you have to go through some rambly stuff before you begin to hit a stride? When getting clogged, do you need to step away to clear the brain? Are you a pantser? Are you a planner? Are you an outliner?
Negotiate with yourself. Maybe life is getting in the way of your writing time and you need to negotiate with yourself to find that time. One day after shopping at Costco, I slipped into their fine dining section and, surrounded by white noise, wrote for about half an hour. Never would have happened at home that day.
Compliment yourself. Tell yourself it was a good session. Tell yourself if you like that paragraph you’ve just completed.
Listen to yourself as you write. I’m always telling myself to keep pushing the story forward.
Be flexible. Your idea may change midstream. Your character may take you down an unexpected path.
When you get stressed and tense, step away. A night’s sleep can clear the airwaves. A walk with the dog can make the world look good again. Respect yourself.
Artwork by Jean Metzinger
Collaborating is an important writer’s skill, whether with an associate or yourself. But a writer has one more collaboration to consider and that is with the reader. The reader arrives ready to have an adventure, meet a character, experience life, cry, or be afraid. We have to write to meet them halfway and make them care about our characters and story. I like these words from playwright Tom Stoppard:
I like trying to create a spark through a collaboration between me and the audience.
As writers, let’s create that collaborative spark with our readers!
It’s always a time for congratulations when creative associates receive recognition for their work. A fellow member of the Palm Springs Branch of the National League of American Pen Women was recently recognized by NLAPW on its national website. I send my compliments to colleague and artist Dianne Benanti. Her painting, The Garden of Ethos, is the League’s current featured art piece.
I find the painting’s title The Garden of Ethos provocative. The definition of ethos? From the Google dictionary: the characteristic spirit of a culture, era, or community as manifested in its beliefs and aspirations.
Here I see women becoming … refining their thoughts, defining their identities and contemplating a path forward … a community of women supporting each other.
With her painting, Dianne graciously included a piece I wrote that accompanied her work for an art/poetry event hosted by the Palm Springs Branch a few years ago. Thank you, Dianne.
Following is from the NLAPW page featuring Dianne’s work. Do visit the website to learn more about the art and NLAPW itself by clicking the link.
Oil on canvas (90 by 50) by Dianne Lynn Benanti, Palm Springs Branch
“Dianne Lynn Benanti is a self-taught artist who creates large scale contemporary works as well as traditional portraits. Besides being an artist, she composes music and has written a children’s book. She highlights NLAPW on her website, and says, “I’m very honored to be a part of such a great organization.” Her art, book, poetry and songs can be viewed at www.benanti.com.”
“Carol Mann is a poet and author in the Palm Springs Branch. Her poem was inspired by Dianne Benanti’s painting of the same name.”
The Garden of Ethos
Carol Mann, Palm Springs Branch
together we gather in the garden
worried, contemplative stoic, sad our world view guiding our thoughts our life experience bonding us
sisters they call us bearers of the oral story of man and his tradition of beliefs in a god or not
teachers they call us bearers of society’s mores culture
the written word
mothers they call us bearers of children nurturers of body, soul family guide in crisis and joy
daughters they call us our mothers’ students learning ways to cope to keep dreams alive
wives they call us joined in ceremony partners through life’s trials and uncertainties
but mostly they call us women governors of our own destiny strong, problem solvers ever emerging
they call us women finding strength in our sisters in times of sadness finding strength in our sisters in times of great happiness finding ways to go on…
And as often happens, creative pieces grow, morph and evolve. The above poem grew over the span of a few years to become “The Gift of the Gathering” which, in turn, became the finale piece of the book All Ways A Woman, a collection of original poetry and art done in collaboration with artist Lynn Centeno.
The other day while waiting for my car to be retrieved by a valet, another valet who was waiting for new arrivals engaged me in conversation. It was one of those quick philosophical talks about life, its whimsies, its tricks, full of platitudes and cliches, but a pleasant exchange. The unpredictable cold weather started the conversation. It ended when he said, “Life is like an onion. We peel away the layers. Sometimes we cry.” With that, he helped my husband into the car.
It was a timely sharing. I’m at a stage in life where I feel life’s layers peeling away more rapidly which leads me into thoughts about fate, destiny and chance. It leads to unsettling questions that begin with, What if?
What if I hadn’t come to California?
What if I hadn’t taken that job?
What if I hadn’t met _______?
What would have happened if?
You can see how that rabbit hole could take a person on a long, thought-provoking journey. How it would make you become reflective, grateful or regretful.
Thinking about fate and its layers flowed into my quest for a title for my short story collection. This is my third quest. I have two other titles I’m thinking about waiting in the wings. Within the collection is a thread that could be identified as fate. Or is it luck? Or is it circumstance? This led me to investigate these enigmatic, over-lapping terms – fate, destiny, luck, chance, circumstance – which in turn re-acquainted me with The Three Fates, the Greek Goddesses known as Clotho, Lachesis and Atropos.
Image courtesy of Fine Art America
Clotho is depicted as The Spinner. She is the Fate who spins the thread of life. Lachesis is the Fate who is the measurer of that Thread of Life. She decides how much life is given to each person and decides a person’s destiny. Atropos is the Fate who makes her sisters’ decisions irreversible. She is the cutter of the Thread of Life. Powerful gals.
One could conclude from The Three Fates that our lives are spun, measured and cut by others. Is that life path, once spun, guided by a supernatural power known as fate? Or is Man the master of his own destiny? Who or what controls the path? This opens the discussion to far-reaching philosophical searches and beliefs that man has pondered for a long time. I certainly don’t have an answer, but the exploration provokes the mind.
Back to my valet. I got to thinking about what he had said. I was familiar with Carl Sandburg’s words, “Life is like an onion. You peel it off one layer at a time, and sometimes you weep.” I like my philosophical valet’s wording better. “Life is like an onion. We peel away the layers. Sometimes we cry.”
I enjoyed the exchange that day and for the thought exploration it led me on. Grist for thought and food for writing pop up in the most mysterious ways. Was it luck I ran into that valet? Or fate? A realist would say, “Look, you needed someone to park and retrieve your car.” I’ll leave you to your ponderings.
Once a year the Palm Springs Branch of the National League of American Pen Women holds its annual program called Painted Sounds. The popular event actually begins several weeks prior when predetermined artists share their paintings online with the Branch membership. Pen Women then select one or more of these paintings to write about … what they see, how it makes them feel, memories the painting evokes.
This year an artists’ group in Desert Hot Springs called the Spa City Paletteers submitted artwork on the Pen Women website, the individual artists’ names anonymous. As a long time NLAPW member, I knew I wanted to participate. I scrolled through the submitted work to make a selection.
A Blend of Writing and Art
I chose a watercolor by artist Marlis Gray. It reminded me of the first time I saw the Pacific Ocean and how I grew to love the Pacific shore. It reminded me of the times many years ago I swam from a Malibu beach out into the ocean, feeling free, empowered and full of wonder.
A strong swimmer, I often swam out into the sea a good distance. Near a large kelp bed, I’d turn and look back at the land, all the while enjoying the water around me, the breeze on my face, the salty smell of the sea. Mostly, I enjoyed the sense of freedom, the dissolution of boundaries, the joy of adventure in the offing. I admired the rising hills, the beauty of the shoreline and became filled with anticipation about life experiences ahead as a new California transplant from western New York.
Time has passed and, to build on an old adage, I’ve sailed through life’s smooth waters, its turbulent waters and have been becalmed. I no longer swim in the sea nor look back at the shore while treading water near mysterious kelp beds. I look out at the sea from the shore to give myself a different perspective.
Now, when I look out onto the Pacific, I seek its solace. I seek its ability to renew my spirit and clear my head. I welcome the brain space for new thoughts, to solve a problem or make a choice or decision. I savor the sea’s ability to calm my mind, give me peace, renew my sense of wonder.
These thoughts motivated me to choose the watercolor below by Marlis Gray.
The artist titled her work “Join Me by the Sea.”
Join Me by the Sea
Join me by the sea,
spread a blanket among the dunes.
We’ll watch waves unfurl in
rhythmic beats along an endless shore.
Ocean breezes will skim
across the fathoms of sapphire hue,
while along the horizon a
setting sun will tiptoe from our view.
Immeasurable grains of sand will
remind us of ages past,
of explorers cautious but not afraid,
sailing the seas unknown.
We voyage life’s uncharted main
like mariners of old.
Come, take time to fill your soul.
Join me by the sea.
Writing about art, called Ekphrastic writing, dates from the time of the early Greeks. According to the Poetry Foundation, “an ekphrastic poem is a poem inspired or stimulated by a work of art.” You can see more writings based on the Spa City Paletteers on the Pen Woman website. If you haven’t written to a piece of art or want to do it again, select a painting and try your hand.
The book pictured below, which I co-created with artist Lynn Centeno and titled All Ways A Woman, tells the story of women’s lives via original poetry and art as they make their journey through life’s special moments. The content illustrates this ancient ekphrastic concept of writing inspired by art.